Today, were putting together some truly great pedal stacking combinations. I actually like octaves that are a little more glitchy that don't track as well, because the pedals that are technically bad sometimes sound really good. Also, personal experience and popular opinion both suggest that putting the Screamer first is the best way to stack these two pedals, but that should not discourage you from trying it the other way as well. I get asked about it a bunch but I plead the fifth. If you have this setup, try it. Both pedals have an external tab jack. Whatever youre looking to experiment with, you can find that delay effect on here. I just got a Timmy for a steal and was trying to figure out how to fit it in with my Klon. Oops, looks like you forgot something. well theres ONE of you saying that they are 'tonaly' the same and about 5 of us saying that they are made to do somewhat similar things but they are not compairable in anyway. Of course, purchasing a Ram's Head Muff and a Power Boost these days would be a prohibitively expensive proposition for most of us, but there are plenty of fine clones available that will do the job just as well. Hi thanks for your replies. World Famous Touring Guitarist and Jimi Hendrix Expert RANDY HANSEN will be giving lessons at Canyon Guitars in Lakewood. I don't care that the circuits are different, the end result is nearly the same. We take that first stage that's clean, transparent, no mids, and add something with a ton of mids. Learn More. The overdrive is what I use 90% of the time, with my boosting being handled by an RC Booster. Gilmour is famous for gently prodding his Big Muffs with a variety of boost and drive pedals, but the most highly regarded of these combinations is probably a ram's head-era Big Muff running into a Colorsound Power Boost. The key to making this combination work is setting the gain and Volume on each pedal modestly, and running it into a relatively clean amp. A guitar player buddy of mine stacks his Klone, a Bluesbreaker clone and a Rat to good effect. Responsive controls let you dial in a wide. Our contender klones have modern surface-mount components, which facilitate automated production and keep list prices low. Cranking the gain and volume too high on either pedal will result in a farty, muddy tone that you probably won't find very pleasing. im not attacking you at all man.. just telling you to call the builders and ask them whoever that was fed you some bull{censored}! How are you running the two pedals gain wise? Hendrix. One of the nice things about stacking delays is that it involves less trial-and-error than dirt stacking experiments typically do, because most delay pedals will play together nicely without much prompting. I have both & they are completely different. Turn the volume up, and turn the treble up so the mids comp a little bit with the treble. Hey! For our purposes, you need to know, for example, that some drive pedals work better with some amplifiers than others. Gite d'etape communal le monastier sur gazeille. I use a JHS Morning Glory V4 but you've got options. Guitar volume knob cleanup varies from pedal to pedal, and some pedals coax your mind and fingers to work in different ways than others. It sounds like Martian food. Read reviews and forum scuttlebutt. I mostly play indie, punk, classic rock, pop, blues. The Tumnus will be perfect for most of the songs I play with its clearer low dirt sound, but I will need slightly more distortion for a few heavier songs my band plays and also I would like the extra push for my solos to cut through. Not enough people do it, and I think you'll be really surprised. There's a few pedals you could use here. . The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should. Obviously, the less distorted your amp setting, the more you can influence the sound with drive pedals. These are two bona-fide classic dirt pedals that just happen to make beautiful tonal magic together. I'm already in the possession of a TS808 and I'm (happily) running it into an OCDv2. Kino treebud 24F HSH Ash Trans Black. Sts 114 team award criteria. Click off the Tonebender and turn on a Fuzz Face and voil! It tastes like heaven. Mohammad akhter md. In that case, I switch over to the KTR Overdrive instead. You can also shape it a bit more than you can the OCD with the EQ. You can turn the middle Nam to the middle and is a total fender Now this is big. ", wrong its chinese clone of rat before or after chinese rat 2. I typically like to keep each pedal's volume around unity (perhaps slightly higher on the Tube Screamer), with gain at about noon on the RAT, and at about 9 or 10 o'clock on the Screamer. JavaScript is disabled. For rocking out your overdrive and distortion with the same pedal, you can always go back to the old classic: Jekyll and Hyde. Learn More, We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. Now, here's the trick. The only problem is, this kind of experimentation requires access to a wide variety of different pedals, and many players do not have that luxury. they will both say they are original designs and had different starting points. In truth, just about any low-gain, gently mid-focused boost or drive pedal should do the job in this scenario if set up correctly. This is a lower rent district than some gear forums. The best part is that when I play these pedals together, they're going to be syncopated. 59 . To give yourself a different set of sounds, start with a pedal that has the tonal characteristics of a specific amp, ideally one that is different from your amp. Currency: You take the octave pedal, and you put it before a big fuzz pedal. I picked these pedals because they are widely known and commonly available, but just about any blend of analog (or simulated analog) and digital delay will do the trick. Your fingers, your speaker(s), your power supply, your tubes, your cables every piece of your gear, put together, makes up a system and every part of the equation matters. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) OR using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. I bet you thought I was just going to talk about dirt pedals the whole time, didn't you? I finally understand that the Klon sounds better being goosed itself. I thought you were having OCD problems with this Im currently using a Wampler Ecstasy on light almost clean drive. As you can see (or more importantly, HEAR), stacking drive pedals is a great way to expand your tonal potential. Running dirt pedals into a dirty amp is very different than running the same pedals into a clean amp. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. In terms of economy and sheer possibility, one of the most exciting aspects of drive pedals is their ability to be stacked. When they combine, you hear the quarter note hit the dotted eight, like a rhythmic punch into each other. I was shooting for two pedals on a piece of 3/4 ply. The trick with this setup is to keep the output of the Power Boost set modestly, to avoid excess saturation, and play through a big, clean amp with lots of headroom. As you can see, just a few pedals can cover a ton of ground. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. A Beginners Guide to Stacking Drive Pedals. They work, sure, but they simply dont sound as good stacked as they do alone. With original hard case and all case candy. Check those out. If you go too far, you can make your tone muddy. Post-rock normally is associated with instrumental bands that deviate from popular song structure by building soundscapes and textures that reach crescendos and invoke emotions without vocals, or even speaking a word. Virginia. I haven't had much luck with Klones and stacking with other dirt pedals. Are there more or less mids? The RF is an efficient speaker and leaves very little of your amp's output behind when played. So, just like the amp, the reverb is before the tremolo. If that makes zero sense (which is reasonable), feel free to watch my JHS Show episode on this topic to listen to this demo around minute 14. my Mandolin is 1915 1Year Newer than 1 in 1amst Photo Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson Mandolin 1915 Vintage 22201 Amber Pumpkin Finish So having the Klon after the dirt pedals will allow more of it's character to come through? Whew! JavaScript is disabled. Electric Guitar Gibson Fender Ibanez Yamaha PRS Guitar . For a better experience, please enable JavaScript in your browser before proceeding. Original models of the Klon have now become some of the most sought after guitar pedals ever made. This next one has been around for a while, since before people even started stacking pedals. From there I have three options to pick and choose from depending on the kind of dirty sound I'm looking for. **For reference, the case is bigger than my head. Designed in collaboration with Joey Landreth, the Golden Boy is an end-all BB-style pedal. Myself? I hope this primer on stacking distortion pedals helps you find more sounds that inspire you to create more music. For a better experience, please enable JavaScript in your browser before proceeding. 6. This is a tone combo that almost every guitarist recognizes as the magic blend used by Pink Floyd's David Gilmour, most notably on the Dark Side of the Moon and Animals tours, and likely in the studio as well, during the recording of his first solo outing. ~ Ludwig Gretsch Noble Cooley Tama Yamaha Pearl DW Sonor Uad, Apollo, ssl, neve, 1073, tube tech, Neumann, pro tools, logic, mpc, moog, Manley, empirical labs Drum . Is it a good thing? How does it sound? Currently, after watching and reading a lot about Klon (e)s on fora . The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. I really like my TS into my OCD. Now, when you combine the quarter note delay into the modulating reverb, I think it's one of the best sounds out there. Reversing this setup can also be cool, with the DD-3 first and the Carbon Copy set for longer repeats. When I tested this out at the studio, I used the Walrus ARP-87 and my Panther Cub. Original Blues Breakers, while not super expensive, still hover in the 250-dollar range (a bit much if you ask me). What I want to go over is the sound of a Big Muff, and the process of putting that into a Tube Screamer. Since your gear creates a system, its important that every piece serves the whole. Guys like the Edge and U2 have done stuff like this for years. Mayweather vs guerrero memes. Yeah I like to run all my other drives into my Timmy, so thats probably how I would use it. I'll probably do Katana, TS, Timmy, Klon. Take an octave pedal, like the Electro Harmonix Micro POG, the OT-10 Octave by Ibanez, or the BOSS OC2. I know a lot of folks use the Klon as a very low drive pedla that tailors their EQ, but I prefer to let the Timmy do that. I personally like klons early on before other pedals. On any pedal board I have, I set this pedal to a light breakup and never turn it off; I keep it as a stage one overdrive, almost a natural part of my amps sound. Kaeri presidential polls. Klone wars Of all the boutique pedals produced in the past 30 years, the Klon Centaur is probably the most infamous. Special Fender strap locks for your strap certificate and candy. IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells them for!! Tuffi wuppertal wikipedia deutsch. The Caverns by Robert Keely has a modulating reverb setting and a delay. Molecular geometry shapes and . Seriously though, I do it all the time. whats up with klons on ebay anyway GHEY the tim is the timmy with a boost and effects loop. Rickenbacker 360/12 string in Fireglo in perfect condition. I like them each on their own but wasn't too thrilled with the combo. Most of the time the pedal for a clean boost for leads is after all dirt.. ( still before the klon, imo ) Try it both ways: TS>Timmy>Katana>Klon to use the Katana as a clean boost. Thats a rule. To explain this, Ill paraphrase Jim Gaffigan, Of course, cops like ambient clean guitar tone. With a little systematic and thoughtful experimentation, you will be able to hone in on new tonal aspects to create inspiring tones. Your email, has been entered to win this giveaway. Does anyone stack their klone (I'm looking into the ARC EFFECTS one) into a timmy? If youve never tried to stack drive pedals, you owe it to yourself to give it a shot. Actually, the old timmy's sound a little different than the tims. There are a vast array of drive pedals on the market, and with a little forethought and experimentation, there is almost no limit to the types of tones you can achive. Play a chord with the pedal off. Noted pedal-design 7 Cool Listings This Month on Gear Exchange. Youve got to keep the modulation and the effect level of this kind of low. If Im taking my pedals on the road, then Ill probably leave my Klon Centaur at home so it doesnt get stolen. The Stack section of the Kemper Profiling Amplifier consists of the profiled amplifier, equalizer and cabinet. . For what you're doing, stacking a boost ahead of your Klon-type might be all you need. Quick question about switching tube amps on/off. All drive pedals have an inherent sound and EQ curve. Depending on your pedals and settings, your experiments may have met with mixed results, but the basic idea is solid; use one gain pedal to boost or color the sound of another. For the reverb and tremolo, the Strymon Flint is really great. Listen to the EQ differences in the two sounds. Maybe you will. On my main board I actually stack the Timmy with a Soul Food and a Plimsoul for a really nifty rockin' type of tone where I can roll back my volume knob for different levels of OD. I can't say enough about it. Some good alternatives to a Morning Glory, which is a Bluesbreaker-style circuit, would be something like Paul Cochran's Timmy and the Xotic RC Booster, which are both great transparent pedals that don't color your sound. When I stack, I don't like to stack the same pedal- too much of the same frequencies. However you slice it, its important to consider what you already have to make smart stacking decisions. So, the Big Muff doesn't have any mid frequency peak at all. Here are 5 tips to understand as you begin to stack pedals: Trust your ears. Luxe bidet neo 120. i own and opereate a recording studio, people pay me to listen to music too- what the {censored} is your point here? Knowing what that curve is will help you know how and where to stack a pedal. They are too loud stacked. Someone needs to reverse engineer that bad boy. After many years of using the Klon to goose everything. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. Seller assumes all responsibility for this listing. 6,400 B () LTD. SNAKEBYTE SE Baritone (See Thru Purple Sunburst) 42,000 B () unknown. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. The place for all things related to guitar pedals. This thread may have run its course, but IMHO, the two sounded more dis-similar than similar. Germany, Tim Pierce Premier Guitar Rig Rundown. How are you using them? 2. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. Two of them employ NOS through-hole germanium diodes, while the other three substitute modern silicon ones. Actually there are TWO of us saying that they are similar in sound. MXR Timmy - street price $/129 If the waitlist and the enclosure size have been putting you off pulling the trigger on a Timmy, MXR has the answer, with this downsized take on the classic formula, approved by Paul himself. A warm or a mid-heavy overdrive can often tame an overly raw and spitty fuzz. My favorite pedal combination for this maneuver is a warmer, murkier analog delay, like the MXR Carbon Copy, running into a cleaner digital delay, like the Boss DD-3. The Tim is a honking big piece of pedal metal. However, the concept can work with a dirty amp too. We and our partners store and/or access information on a device, such as cookies and process personal data, such as unique identifiers and standard information sent by a device for personalised ads and content, ad and content measurement, and audience insights, as well as to develop and improve products. Your purchases help youth music programs get the gear they need to make music. Strat Talk is the leading online community and marketplace for Stratocaster guitars. But you have people-- even me --telling you to put your tremolo after your overdrive and before your delays and reverbs. When I want to go into Metal mode, I use the Timmy with my Friedman BE-OD. This is a really good go-to combo. Light Gain Overdrive + Medium Gain Overdrive = Heavy Overdrive. Thanks! And I think a lot of you guys would like it. Wren and Cuff makes a superb Ram's Head clone, with the Caprid, and excellent Colorsound Power Boost clones are available from Buffalo FX, ThroBak Electronics, and others. The Klon Centaur was first released in 1994, and production of the pedal continued until 2009. Both the pedals I used in the demo have tap tempo, which I feel is necessary because it lets me chain these together. Reactions: snarf. Most recognizable dirt tones and many amplifiers heck, entire setups can be recreated simply by combining a few drive pedals together and learning how to make them mesh well. If it sounds better at a lower-gain setting, treat it like a lower-gain pedal. I even made a double boost/overdrive pedal, the Kirkland Signature Boost, which John Mayer has had on his pedalboard forever. Reddit and its partners use cookies and similar technologies to provide you with a better experience. OD pedal to pair with Timmy. Def keeping the OCD but 2 of the other three are gonna probably go off to Reverbland. At the end of the day, I just want you to get your pedalboard and start stacking stuff, have fun, change the order, try some things out. His resume includes hundreds of radio and television appearances, as well as thousands of live performances in America and abroad as lead guitarist for the legendary Oak Ridge Boys. Some pedals are great at specific jobs. The EarthQuaker Dispatch Master doesn't say it has modulated reverb, but I swear it's there, plus it's a really simple pedal to use. Since you already get a lot of the mids with this set up, turn the drive down low. This gives you a darker, quicker initial echo that suddenly morphs into crystal clear repetitions, an effect which I personally find very enchanting. See signal flow here in attached PNG. I was never terribly enamored of the added saturation the boost added to the Tim--more over-caffeinated OD than distortion. Strat Talk is the leading online community and marketplace for Stratocaster guitars. The key to a perfect drive stack is to pay attention to your EQ. So what do you guys think? Stull trying to dial in a decent boost tone. Might not be the awnser that you are expecting , but do you have a good amp? Here's a look at the pedals behind the sound. Gives you multiple options. Don provides Sweetwater with professional insight through product demos, reviews, how-tos, and group instruction. By continuing to use Reverb, you agree to these updates, and to our cookie policy. and our I typically break that rule every time I combine tremolo and reverb. When I tap the tempo on one, both of them sync up, with quarter notes and dotted eighths. Okay, lets get down to business. Then I can stack it with the Morning Glory and get a heavy mid range boosted overdrive that's rich, it's thick, and works great on any pickup, neck bridge, or middle. You no longer have to worry about batteries cutting you off in the middle of your . Suzuki f8b specs. Maybe a certain pedal simply does not play well with others. Turn off the Fuzz Face and turn the Supro-y overdrive back on and, depending upon how its set, youre in Neil Young territory. Hi all, I'm recently going through an extensive upgrade of my pedalboard and I have come across a wide range of options when it comes to gain pedals and the more complicated issue of stacking. Price to sell look it up Reverb this one is really in mint condition kill switch and all. All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. CSP027 TIMMY OVER DRIVE. Youll definitely have fun, and you might even find your new favorite sound. For those who just want to get down to business, however, or those who have other grown-up sorts of obligations that might prevent them from sitting around twiddling knobs for hours, there are a handful of proven pedal pairs that are widely known to stack nicely. It started through guitar amplifiers. The Blucoil 9V 670mA Power Supply is ready to rock with your favorite BOSS, Dunlop, Line 6, LR Baggs, MXR, Nobels, NUX, Orange Amps, Peterson, TC Electronic, Xotic, and Zoom effects pedals. (Adjust tone to taste.) Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. The Big Muff has plenty. You are using an out of date browser. 98499 Hours: Week Days 11:00am to 6:00pm Week Ends Noon to 5:00pm Other times available by appointment call 360-701-8795 A boost will also typically color the tone less than an overdrive, IME. I use my OCD as my main gain sound, and kick on another OD or fuzz as a boost. Don't have that exact set-up, but i have a FullDrive2 -> Timmy which is somewhat comparable (with the FD analogous to the TS and the Timmy to the Klone). Basically, that means the bass, mid, and treble are even across the board (also called transparent overdrive), so it makes your guitar a bit more broken up without coloring the actual sound. Running a Tube Screamer into a RAT can yield a thick, harmonically delicious crunch when driven by the guitar's bridge pickup, or a creamy, endlessly sustaining "woman tone" when the neck pickup is engaged. Each new drive will shape the EQ and most drives also increase compression. As Duke Ellington said, If it sounds good, it IS good. There is no right or wrong, only what you prefer. So, heres how I get it done: I take a delay (any delay will work, but I really like the Diamond Memory Lane Jr) and I set it to a faint, but almost strong quarter note echo. Despite its size, it's pretty damn versatile, thanks to three clipping options. So to fix that problem, you need to add a Tube Screamer. I stack a TS9 and a CTO-1, obviously not exactly the same, but based on that I would recommend using the Timmy last as the more flexible tone controls will be more effective after the TS and may be needed to avoid muddy tones. though it probably wouldnt pair with my guitar and amp very well according to the research Ive done. The TIM I had could get some of the sounds A/B'd direclty with a klon and vice versa (gritty boost, fat clean boost) BUT they are different in too many aspects to really be comparable. It's also an inspiring creative exercise. Browne Amplification Carbon $219+ | Click title for video. Many players seek transparent overdrives like the Timmy, the Himmelstrutz Fitzo or the Hungry Robot to add gain but not additional EQ to a more uniquely voiced overdrive. Designing a pedal had been on the docket for Dr. Z Amplification for a long time, but the idea only came to fruition when Dr. Z joined forces with EarthQuaker Devices'Jamie Stillman to build the Dr. Z Z-Drive. For example, assuming that you are largely happy with your tone as it stands, consider trying a low-gain overdrive to add subtle grit and character. I've often used this for big ambient slide parts with overdrive, and I have a knob setting that works great. You can also use drive pedal stacks to change the overall character of your existing rig. You must log in or register to reply here. Quarter Note + Dotted Eighth = Rhythmic Dual Delay. I have no idea. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. YouTube and various guitar forums can be helpful when embarking on a stacking adventure, but the only sure fire way to determine if two pedals are going to play well in your rig is by hooking them up on your pedalboard, stomping on switches, turning some knobs, and listening.
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